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Issue 102 August 24, 2006Featured Product ![]() Mexican Chili Peppers $10.00
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In This Issue:
1. This Week There are so many distractions and avoidance techniques we writers use to avoid writing. We call just about everything research, even those stolen moments of Spider Solitaire. Instead of chastising, try setting goals and limits. Give yourself permission to play and you'll get more writing done. There's been an ongoing debate among a few of my writer friends about the "best" way to write. We haven't been talking about grammar or style, but rather daily writing goals and the best way to achieve them. The debate is time vs. word count. We haven't resorted to fisticuffs, although a few of the conversations have grown heated as group members defended their positions vehemently. I don't consider myself Sweden. I like taking sides. But, as in most debates, I've spent time on both sides. How can we understand any issue unless we figure out both sides and determine which works for us? In this debate I find that it depends on the project. Where fiction is concerned, I like a daily word count. This keeps me from over editing on first draft writing. Whether I decide to get into the editing process or not, I still "must" create my new word count for the day. This keeps the story flowing. Yet, for nonfiction, I find that time limits help me achieve my writing goals. I like to work on multiple projects. If I know I only have an hour to work on something it keeps me from getting lost in research, forcing me to get words on the page. These time limits also allow me to work on multiple projects at one time without feeling "guilt" about leaving off of one to move on to another. Each project gets its allotted time, no more, no less, unless there's a pending deadline. So how do they work? Setting word counts is pretty obvious. You decide what you can comfortably accomplish and add a little. My daily count is 1000 words for fiction. And, no matter where I am in the story, I finish my 1000 words and stop. I do allow myself to finish a sentence, but not a section, chapter or even a paragraph. When it's a time count I literally set the kitchen timer that resides on my desk for the block of time. Writing time is usually an hour, but I also set research time limits of fifteen minutes. That keeps me from wandering around the Internet willy-nilly. And, when it's time for a break, I also set the timer, giving myself five or ten minutes of solitaire or Scrabble play time. The bottom line is deciding what works for you, what keeps your butt in the seat and your fingers on the keyboard. Try setting a few goals and limits and see if it works for you. This week, Diane Sonntag is back with advice from Gloria Estefan and Dora the Explorer in Sit Down and Make It Happen. We've also got a few writing opportunities and Jack Miller, an old investigator and new writer, takes the 18Q. Until next week, Gregory
Gregory A. Kompes (www.kompes.com) is a writer, photographer, professional speaker and author of the bestseller 50 Fabulous Gay-Friendly Places to Live, The Endorsement Quest, and Your Intensive Care Unit Stay. 2. Sit Down and Make It Happen Sit Down and Make It Happen
Last Saturday night, I took my four-year-old daughter, Julia, to see Dora the Explorer's Pirate Adventure. It was a great show and it was very entertaining to watch Julia, along with hundreds of other preschoolers, singing, dancing, and jumping up and down in excitement. Dora and her gang performed all of their usual songs, along with one very interesting choice. The last song of the show was Gloria Estefan's "Get on Your Feet." Over the next few days, Julia hummed those lyrics almost constantly. "Get on your feet," I heard while she took her bath. "Get up and make it happen," she sang while playing with her dolls. Julia sang the song so often that I became curious about the rest of the lyrics. After a quick Internet search, I had a hard copy of the song's words. I know it sounds silly, but the lyrics inspired me. Estefan sings that we sometimes feel like there's no use trying, but we're scared that life will pass us by if we don't take some action. Like so many things I encounter, those words made me think about my writing life. You see, I have a dirty little secret. There is an editor in London who is very patiently waiting for my book manuscript. And I'm ashamed to admit that he's been waiting for some time. Sadly, the majority of the work is done. I just need to tweak it a little bit and my baby will be ready to send across the ocean and into my editor's hands. But what if he doesn't like it? Call it fear of failure, or maybe fear of success. But my novel is safe on my jump drive. Nobody has told me that it isn't good enough or that my writing isn't ready for a "big time" publisher. Right now, my novel can be as great as I want to believe it is. Only my own opinion matters. But what good is it, stored on a jump drive, where no one but me can read it? As writers, most of us judge our work by the number of times we are published, as well as which publications accept what we write. Acceptance means that our work has value. Right now, no one -- and if I'm really honest, not even me -- has accepted my novel as something of value. If my book is so great, why can't I send it out? I ask myself. Why can't I allow someone else to judge my work? Because I'm scared of what they might say. Not because I don't believe that it's good, but because, in our world, editors' opinions count more than writers' opinions. And if my editor says my book is no good, how can I continue to believe in it? The old adage "If you don't believe in yourself, no one else will" comes to mind. And also, "How will you know if you don't try?" These simple truths haunt me as I procrastinate the inevitable. But the inevitable what? Rejection or acceptance? Failure or success? There's really only one way to find out. So rather than "getting on my feet," I'm going to get in my chair and finish my novel. I'm going to sit down and make it happen. About the Author
3. Writing Opportunities Writing Opportunities Boundoff
Boundoff produces stories for podcast.
================================================================= Inkwell
Inkwell accepts unsolicited submissions in poetry, prose and artwork. Inkwell is dedicated to discovering new talent and bringing the work of writers and artists to a wider audience. We encourage diverse voices and have an open submission policy for both writing and art. Reading Period August 1 – November 30. Fiction: Previously unpublished work only. Manuscripts must be typed, double-spaced, and not exceed 5,000 words. Multiple submissions up to 2 stories. Poetry: Previously unpublished work only. Must be typed, 70-line limit per poem. Multiple submissions up to 5 poems. Pays up to $350. ================================================================= Association Book Exhibit
Association Book Exhibit offers a craftsman-like approach to every exhibit. ABE remains focused on its original stated objective - to take the experience of many years and hundreds of exhibits and put it to work for publishers. Our goal: to create the standard against which all other publishers' cooperative exhibits are judged. Look to ABE to open new markets or assist you in reaching existing ones for a fraction of the cost you would spend to reach them on your own. ABE has the proven approach, commitment, experience and personnel to become your first choice in publishers' cooperative exhibit services. Give us a call whenever your ongoing marketing demands require the best exhibit service your promotional dollars can buy. ================================================================= Chicken Soup for the Soul Submissions
Teenage Soul - The Real Deal on Self Esteem
4. Jack Miller takes the 18Q Website: www.authorsden.com/jackmiller Bibliography:
Biography:
1. Did you choose the writing profession or did it choose you? 2. What is your background? (education, work, etc.) 3. When did you 'know' you were a writer? 4. How would you describe your style of writing? 5. What is your writing process? 6. What was your path to publication? 7. What is your favorite self-marketing idea? 8. What are the biggest surprises you've encountered as a writer? 9. How do you inspire yourself? 10. What is your proudest writer moment? 11. What's the best advice you were given about writing? 12. What is your most embarrassing writer moment? 13. What business challenges have you faced as a writer? 14. What is your writer life philosophy? 15. When you're not writing what do you do for fun? 16. Who do you like to read? 17. What's your advice for new writers? 18. What are you currently working on? ================================================================= Are you a published writer? Take the 18Q today! To read all the 18Q responses or take the 18Q visit EighteenQuestions.com 5. About The Fabulist Flash ISSN: 1554-0804 The Fabulist Flash is dedicated to helping writers find resources and inspiration.
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